Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.
Patricia has been living and working on the Isle of Skye for the past 25 years. Her work is informed and inspired by the powerful landscape of the island.
Carina trained as an industrial designer in Germany and specialised in furniture design. One day she found herself at a ceramic studio near her house. She had a sudden realisation that there was no difference between making a teapot or a chair because it's all about aesthetics: form, function, balance, and proportion.
Carina had no formal ceramic education and through apprenticeship, short courses, and residencies she has learned and worked with different clays in different parts of the world. She explores the potential and qualities of each clay body, a continuous conversation unfolding between the maker and the material.
With her figures Sally creates personalities that share a sense of warmth and calm. Drawing from early memories of family gatherings spilling across summer lawns; the quiet intimacy of a confidence shared between sisters; expressions of visual anecdotes carefully collected and stored to later emerge as a figure. The everyday moments of human interaction being elevated from the ordinary into something special.
There was a time when Sarah’s work referenced landscape more directly.
Landscape is still pivotal for her, but now in a more internal, abstracted and oblique way.
The clay structure is the earthy foundation, the surface marks, colours and textures are
transient moments of weather and light, season and time.
Lea Phillips makes a wide range high fired stoneware pottery, mostly functional plus some larger one-off pieces. All the ceramics are wheel-thrown, fired in an electric kiln and decorated with free abstract designs using vibrant colourful glazes made to her own recipes. A firm believer that oxidised firing is no barrier to interesting surfaces Lea enjoys glaze development and the challenge of combining form, colour, and pattern.
