Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Paul Wearing's hand-built sculptural vessels reflect diverse urban and rural landscapes. Creating tension between the orderly, symmetrical handmade form and natural glaze phenomena, his work aims to highlight our materiality and fragility.
All Francis' work is thrown using stoneware clays and is reduction fired, increasingly turning to salt glaze for his desired surface. Functional pots are his main concern, pots made for use in daily life, often giving a nod towards other historical objects, not necessarily made of clay, featuring utilitarian components now ultimately defunct but repurposed as decoration. He uses a muted palette of glazes and seeks a balance between looseness and definition in his forms.
Geoffrey Swindell was born in Stoke-on-Trent. First studying painting, it wasn’t until he took up a summer job at the Pottery at Alton Towers that he decided to follow in the footsteps of his ancestor and become a potter.
Born and brought up in Norwich, Richard has been making pots since the early 1970s. After studying for two years at Great Yarmouth College of Art, he worked from 1974 to 1980 at Le Dieu Pottery in Norwich before spending 3 years in Australia and New Zealand, and a further five in Germany.
He is inspired by Hungarian and Romanian slipware from the 1800s and by English country pottery. Recently his work has explored colour and abstract patterns in strong forms that capture the ebb and flow of the sea and the landscape of South West Dorset.
Sophie MacCarthy has always been drawn to random scatterings of leaves on the ground. Scatter and flow, rhythm and movement are consistent themes in the decoration of her earthenware pieces, along with a bold and joyous approach to colour.
Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.
