Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jeremy trained in Falmouth, Cornwall and then in Cardiff before being invited to join Wobage Workshop in rural Herefordshire in 1995. From here, he makes wheel-thrown, wood-fired salt-glazed stoneware and porcelain. He and his wife Petra, also a potter and printmaker, live on the edge of the Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Duncan Ross makes thrown and burnished vessels using many layers of fine terra-sigillata slip with resist and inlay decoration. His work is represented in many public and private collections around the world, notably the V & A and Fitzwilliam Museums in the UK, the American Museum of Ceramic Art in Pomona, California and the Mint Museum in Charlotte, North Carolina, US.
Angela has been working in ceramics for over 50 years. Her first experience of clay was at after school class, leading to a Foundation Arts Course in Derby, then a BA in Wolverhampton, and an MA at Royal College of Art London. The latter two degree courses were very open-ended and encouraged exploration of other materials and a wide variety of working methods. This suited Angela as she has always been interested in both industrial production processes and sculptural techniques.
The functional wheel-thrown pots that Carl creates are modest but highly
considered and precisely made, sometimes altered when wet, often with
spontaneous, energetic surface marks. Everything is conceived in the
knowledge that his work will be wood-fired.
Anja Lubach grew up in Germany and graduated from the Royal college in 2000. She spent a month on Residency at the German manufacturer Rosenthal where she was free to explore porcelain as creative medium.
Sophie MacCarthy has always been drawn to random scatterings of leaves on the ground. Scatter and flow, rhythm and movement are consistent themes in the decoration of her earthenware pieces, along with a bold and joyous approach to colour.
