Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Owen Thorpe

Since 2000 Owen Thorpe has been producing ‘families’ of pots using recurring themes and he has been making bowls and plates with inscriptions. All his work is made using a soft stoneware, high fired with occasional further enamel firings.

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Laura Plant

Making in her hometown of Stoke-on-Trent, Laura draws from the creative heritage and ambition of the pioneering potters who made the city famous. Her contemporary forms echo the grandeur of 18th century ceramics, she has long admired. Thrown in porcelain, each piece is a unique ‘sketch’ in clay, carefully turned and refined to reveal the precise form.

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Jennifer Hall

Jennifer graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio. 

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Motoko Wakana

Motoko was born in 1962 in Tokyo. She graduated from Saitama University, and trained at the Takasaki College of Art. From 1993, Motoko spent six years working at the Utatsuama Craft Workshop and the Oshigahara Workshop, and then came to England in 1999.

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John Jelfs

John Jelfs' work has been widely exhibited in leading galleries including the Victoria & Albert Museum, Alpha House in Sherborne, Beaux Arts, Bath, Rufford Ceramics Centre in Nottingham and is also included in many collections in the UK and abroad.

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Hannah McAndrew

Hannah’s pots are inspired by traditional British earthenwares and her decoration is derived from the world around her. Often the floral abundance in her garden and the surrounding wilds, both cultivated and untamed, are referenced in her pots. Sometimes there are political statements veiled in imagery of folklore and symbolism.

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