Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Peter Black

In his youth Peter collected (mainly damaged) Chinese Kangxi and 18th Century European porcelain, regularly visiting Portobello and Bermondsey Market at 6am.  His making came later, but is influenced by the pieces he bought, studied, and has loved over the years. These pots have of course been themselves influenced by earlier ceramic, silver, and pewter forms. 

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Philip Wood

Philip Wood has been making pots for over 40 years. Specialising in earthernware, he creates handmade pieces to enhance the lives of those around them.

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Yo Thom

Yo Thom is a Japanese potter based in North Dorset. Her journey as a potter began when working for Lisa Hammond MBE in 1998 whilst studying ceramics in Kent. She trained as a functional thrower at Maze Hill Pottery, Greenwich, then set up her own studio in 2004. Yo relocated her pottery to North Dorset in 2009.

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Anthony Dix

Anthony has been making pots for over forty years following a BA at Cardiff University, where he had the opportunity to build a salt kiln and learned to throw. These two things have been central to his making ever since. He returned to Cardiff to complete an MA twenty years ago and focused on rekindling his love of vapour glazing. He switched to soda firing when it was no longer possible to salt glaze at Cardiff.

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Katie Braida

Katie studied ceramics as part of her degree in Cheltenham and went on to teach in secondary education specialising in ceramics. Drawn to working with clay from a young age and inspired by the landscape and seascape around where she lives, Katie is particularly influenced by the manmade and natural marks in the environment. She enjoys the nature of the material and the meditative quality of hand building, as well as the malleable quality of clay which retains a sense of the maker’s hand.

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Sue Hanna

Sue originally trained as a sculptor at Saint Martin’s School of Art in London gaining a degree in Fine Art (Sculpture). First working in wood and metal, she discovered clay in the late nineties.

A chance encounter with a South African potter led to Sue’s fascination with burnished and smoked African and South American pots. Then in 1997, she attended a transformative course in Greece run by ceramic artist Alan Bain. There she began hand-building pots, working with terra sigillata slips, acquiring burnishing skills, and being introduced to pit firing.

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