Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Ben’s work is mainly hand-built, wheel-thrown and altered using stoneware, porcelain, and high fired earthenware clays. Forms seek to utilise and respond to the malleability of the material with work being altered and assembled while still wet.
The majority of his work relies exclusively on the interaction between ash, clay and fire achieved through extended wood firings in an anagama type kiln. However, recent pieces are exploring the potentials of using earthenware clays to bring out the character and attitude in the work.
Karen throws carefully considered porcelain pots for everyday use. Her forms are elegant yet robust: these are pots to be held, filled, drunk out of and eaten from. The purposeful use of one material (porcelain), a single creamy white glaze, a deliberately restricted vocabulary of form and the process of repetition throwing combine to create both unity and diversity in her work.
Ben Arnup’s interest in ceramics started at home. With a sculptor and a potter as parents, he grew up learning ceramics skills and technology. Ben has exhibited in Britain, Europe and America, his work is represented in public collections in Britain and Germany.
Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.
Sabine completed an apprenticeship as a thrower in 1998 with Hans Joachim Grünert in Waldenburg (Sachsen) in East Germany, followed by a three-year training as a production thrower where she was introduced to wood firing. She became enthralled by the high demands of wood-firing. In 2000, she came to England to gain more experience and met fellow potter, Nic Collins who became her partner. In 2001, she moved to Devon.
Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.
