Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
After studying glass and ceramics at the University of Sunderland, Craig completed an MA in ceramics at the Royal College of Art. He was drawn to clay for the immediacy of its modelling properties, enabling him to realise his ideas with dynamism. His work is inspired by the elegance of a bygone era, particularly the work of cartoonists and illustrators from the 50s and 60s such as Miroslav Sasek and Ronald Searle, whose economic use of line define characters and tell stories.
Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.
In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.
Jeremy trained in Falmouth, Cornwall and then in Cardiff before being invited to join Wobage Workshop in rural Herefordshire in 1995. From here, he makes wheel-thrown, wood-fired salt-glazed stoneware and porcelain. He and his wife Petra, also a potter and printmaker, live on the edge of the Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Ashley Howard creates porcelain vessels informed by Far-Eastern and homespun pottery traditions. His pieces draw from his interest in ritual vessels, the spaces they occupy and the ceremonies that surround them.
Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.
Jane was born to a family of artists, creatives and potters. Growing up in the Suffolk countryside, her upbringing was unconventional. With little formal education, Jane left school early and entered a life of art, in keeping with family tradition.