Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Alasdair Neil's ideas focus on the strange beauty found in the decaying architecture of industrial wastelands. He has built up a large collection of clay and plaster moulds that he has made from the surfaces of found fragments of discarded waste. It is these textures, patterns, shapes and colours that form the thread that runs throughout his entire range of unique hand built forms
John discovered ceramics while still at school in his native New Zealand. He was also inspired by watching a neighbour throwing a pot on the wheel and that cemented the desire to learn more. After attending night classes to learn the basic, he built a kiln and shed in the back garden to continue making and experimenting.
Simon’s new porcelain collection are a series he made based on his experience while on a recent residency in Jingdezhen, China and the series mixes modernity with the millennia-old heritage of Chinese porcelain. The work features hand painted brush strokes that capture the energy and artistry of traditional Chinese calligraphy.
Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.
Peter Smith was once a research chemist before turning his hand to ceramics and starting a pottery in Cornwall. He aims to combine the feel of traditional earthenware with contemporary ideas. The basic form is often thrown on the wheel in a heavily grogged brown clay.
Yusun is drawn by the vessel form. She found a way to explore vessel forms while observing a bottle from the Korean Joseon Dynasty which was constructed by joining two different forms. Looking at the attached part of the bottle, she imagined opening the enclosed part and seeing what was hidden inside.
