Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Many years ago, Harriet was inspired by an article by Dick Lehmann about carbon trap glazes. She has been exploring this intriguing glaze ever since. She believes that all the potters who work with carbon trap seek different qualities and achieve quite distinctive effects even though they may use the same recipe and fire to the same temperature in the same kind of kiln. The glaze is unusually responsive to the atmosphere in the kiln and even to the weather as it dries before firing.
Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.
Valerie studied fashion and textiles at Brighton and Bristol art colleges. Valerie’s art is about a combination of brushstroke and knowledge of colour acquired through a lifetime of painting. Ken learned to pot with potters in Bristol and London and has had a long association with potters throughout the country in his work for the craft ceramic materials industry and kiln manufacturing.
Wendy discovered clay on an art foundation course. She went on to study at the University of Central Lancashire in 1998, gaining a BA in 3D Design (Ceramics). Since her graduation, she has continued to teach ceramics and run workshops for schools, colleges and community groups. She has participated in symposiums and workshops in Britain, Europe and America.
Martin describes his work as ‘ Clay – Water – Wood – Fire – Space’. These five elements are synthesised to create a reversed trompe-l’œil type of work, seemingly excavated or revealed, and simultaneously diminishing the third dimension.
Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, were Adela’s constant source of inspiration. She was particularly drawn to fragmentation and erosion, which she attempted to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.
