Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
John Higgins has a degree in 3D Design / Ceramics from the College of Art Wolverhampton, and a Post Graduate Certificate in Art Education, from Sussex University. Throughout his career in education, he has continued to make his own ceramics. He has exhibited widely both in the UK and internationally.
Mandy Cheng’s focus is on porcelain and to make pots that are unique ergonomic forms. Her works are designed to be graceful and minimalist, to conjure a feeling of lightness and a sense of movement.
The signature mesmerizing patterns mimic the vivid diversity of nature. Using the nerikomi method, the patterns are meticulously prepared by repeated cutting and layering of plain and coloured porcelain sheets.
Birgit Pohl grew up in Germany and porcelain objects in her family home always held a particular fascination. After moving to London, a chance visit to a potter’s studio first opened her eyes to the possibilities of working with porcelain. She learned how to throw on the wheel initially at evening classes and went on to study at Clay College, Stoke-on-Trent.
Rachel Grimshaw’s sculptural ceramics are about the clay itself. Focusing on its pliable, immediate, qualities, Rachel likens her pieces to photographs capturing a ‘frozen moment’ in time, her pieces are fixed in a forever gesture once fired.
Many years ago, Harriet was inspired by an article by Dick Lehmann about carbon trap glazes. She has been exploring this intriguing glaze ever since. She believes that all the potters who work with carbon trap seek different qualities and achieve quite distinctive effects even though they may use the same recipe and fire to the same temperature in the same kind of kiln. The glaze is unusually responsive to the atmosphere in the kiln and even to the weather as it dries before firing.
Having practiced as a ceramic artist since 2001, Lowri predominantly creates decorative bone china tableware from her studio in Cardiff.
Lowri's early work was very much about documenting a way of life that was disappearing. She deliberately uses industrial processes to create her work, but on a very small scale. It is the same process that was used to make most of the ceramics that adorned her Nain’s home (grandmother).
