Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jane Hamlyn

Jane Hamlyn's life as a full-time professional potter began in 1975. She chose to work in salt-glaze, an unpredictable technique with a short history and undiscovered potential.

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Eric Moss

Eric creates individual, nest-able sculpture and desktop/wall-mounted tessellated ‘waveforms’ in various scales, bodies and finishes. Often multi-part and at varied scales, each unique sculpture can stand alone or combine with others in manifold display opportunities. Inspiration, from the natural and industrial worlds, has evolved the work into simple geometries which reveal subtle complexities on closer examination.

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Ashraf Hanna

Award-winning artist, Ashraf Hanna works with the vessel to explore relations between profile, line, and space. Using a process of handbuilding, and working with colour and texture, Hanna examines the juxtaposition of sharp lines and soft curves.

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Geoffrey Swindell

Geoffrey Swindell was born in Stoke-on-Trent. First studying painting, it wasn’t until he took up a summer job at the Pottery at Alton Towers that he decided to follow in the footsteps of his ancestor and become a potter.

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Sophie Cook

Sophie Cook creates delicate porcelain vessels that marry the elements of colour and form. Graduating in 1997 from Camberwell School of Arts, her work can now be found in collections across the world and in 2002 she was awarded the Adrian Sassoon Award of the Kiln at Chelsea Crafts Fair.

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Hannah McAndrew

Hannah’s pots are inspired by traditional British earthenwares and her decoration is derived from the world around her. Often the floral abundance in her garden and the surrounding wilds, both cultivated and untamed, are referenced in her pots. Sometimes there are political statements veiled in imagery of folklore and symbolism.

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