Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jim Malone

Jim Malone has been making pots for over forty years, gradually establishing an international reputation. Having exhibited widely over many years, both in Britain and abroad, Jim's work is represented in numerous private and public collections, including York Museum and Art Gallery and the Victoria and Albert Museum, London.

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Anna Lambert

Anna Lambert, a nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.

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Juliet Macleod

Juliet Macleod makes wheel-thrown porcelain that imparts an evocative exploration of the Scottish coast. Using a distillation of drawings and photographs made over many years, she creates contemplative pieces which hope to engage the viewer and spark their own memories.

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John Pollex

John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.

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Sally MacDonell

With her figures Sally creates personalities that share a sense of warmth and calm. Drawing from early memories of family gatherings spilling across summer lawns; the quiet intimacy of a confidence shared between sisters; expressions of visual anecdotes carefully collected and stored to later emerge as a figure. The everyday moments of human interaction being elevated from the ordinary into something special.

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Sarah Jenkins

There was a time when Sarah’s work referenced landscape more directly.

Landscape is still pivotal for her, but now in a more internal, abstracted and oblique way.
The clay structure is the earthy foundation, the surface marks, colours and textures are
transient moments of weather and light, season and time.

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