Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Sabine completed an apprenticeship as a thrower in 1998 with Hans Joachim Grünert in Waldenburg (Sachsen) in East Germany, followed by a three-year training as a production thrower where she was introduced to wood firing. She became enthralled by the high demands of wood-firing. In 2000, she came to England to gain more experience and met fellow potter, Nic Collins who became her partner. In 2001, she moved to Devon.
Growing up in communist Poland, Ania’s everyday life was underpinned and surrounded by stark, grey concrete structures – brutal, imposing, and unavoidable. This architecture was raw, substantial and woven into the history and fabric of the country and her upbringing.
Jennifer graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio.
Peter Beard’s work has been exhibited around the world and is represented in numerous museums, public collections and private collections in the UK and overseas. The award winning artist has a contemplative approach to making and spends much of his time sketching out ideas for new pieces.
Paul studied studio ceramics under renowned ceramic sculptor, Mo Jupp at Harrow School of Art, graduating in 1977. Following a short period teaching in London, he relocated to Cornwall, where he established his pottery in 1979. He moved to his present home at Helland Bridge, where he works in a studio converted from an old chapel, in 1989.
Alasdair Neil's ideas focus on the strange beauty found in the decaying architecture of industrial wastelands. He has built up a large collection of clay and plaster moulds that he has made from the surfaces of found fragments of discarded waste. It is these textures, patterns, shapes and colours that form the thread that runs throughout his entire range of unique hand built forms
