Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.
Robyn creates finely thrown vessels in porcelain, for both decoration and use. She is inspired by the combination of delicacy and strength in porcelain. She creates pieces whose pared-back forms evoke a sense of balance and harmony, whether in a bowl wide open to the skies or a moon jar in its spherical containment. Surface decoration is minimal - an incised line around a narrow foot, or a slip decoration to add a dynamic to the stillness of a moon jar.
From an early age Penny enjoyed playing with clay at home as her mother had a small pottery studio. However, it was not until she lived in Japan in her twenties that she became more seriously interested in making pots.
Valerie studied fashion and textiles at Brighton and Bristol art colleges. Valerie’s art is about a combination of brushstroke and knowledge of colour acquired through a lifetime of painting. Ken learned to pot with potters in Bristol and London and has had a long association with potters throughout the country in his work for the craft ceramic materials industry and kiln manufacturing.
Julian first made a coil pot at school in 1968 and was immediately hooked - and very well supported by teacher David Buchanan to pursue his passion in exploring what could be made by hand-building with clay. Other than what he was empowered to discover at school, he had no formal training.
Marcio Mattos became fascinated with clay after seeing an exhibition of tea ceremony bowls at the V&A museum many years ago. He went on to train at Richmond College and later for a degree at Goldsmiths College. He presently creates one-off sculptural vessels and plaques in black stoneware and porcelain paper clay with dry-glazed textural surfaces and brushed decoration.
