Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Carolyn Genders creates bold, asymmetric sculptural vessels and forms in white earthenware with surfaces painted with abstracted imagery. With a 40 year career in pottery, two books on ceramic practices published by A&C Black, and work held in collections across the world Carolyn is a prominent UK maker.
John Jelfs' work has been widely exhibited in leading galleries including the Victoria & Albert Museum, Alpha House in Sherborne, Beaux Arts, Bath, Rufford Ceramics Centre in Nottingham and is also included in many collections in the UK and abroad.
Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.
Terry was born in Abergele in North Wales and is a graduate of the seminal Harrow Ceramics course, where he was taught by Victor Margie and Mick Casson. He worked with Denise and Rosemary Wren in Surrey before returning to North Wales in 1978 where he set up a studio with his wife Bev Bell-Hughes in Llandudno Junction.
His work is primarily in thrown, high-fired domestic pots, reflecting influences from both Oriental and British country ware.
With both of her parents being artists, Kerry’s childhood was surrounded by paintings, sculpture, and architecture. They had a potter friend and spent quiet hours in her studio. She went on to gain a BA Hons Ceramics at University of Westminster.
Kerry is inspired by the making process itself, using clay as a way of exploring her relationship to the world as a maker. She seeks creative strategies analogous to those found in nature such as growth, metamorphosis, and fragmentation.
Hajeong Lee Rogers grew up in a suburb of Seoul the South Korean capital. She has received many awards for her work including the National Award for Craft Art in 2005, which was awarded for a large ceramic sculpture - the size of a small car. Her pieces are held in collections across the UK, and within the USA.
