Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Suleyman Saba

Suleyman Saba makes tableware and individual stoneware pots. The forms he makes and the glazes he uses bring together traditional techniques with modern sensibilities.

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Dylan Bowen

The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.

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Lesley McShea

Lesley was born in Lancashire, England and is based in Stoke Newington in London.

She discovered ceramics at an early age, in Australia, where the textures and colours of the landscapes and terrain greatly influenced her. She studied firstly in Australia where she gained a Diploma (Distinction) in Ceramics at Caulfield Institute of Technology in 1982.

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Sarah Walton

Sarah has been a potter for 45 years and also makes work in oak, lead and cast iron. She trained in painting at Chelsea School of Art between 1960-64 after which, she spent five years working as a nurse. This period was followed by studying at Harrow where she graduated in 1973 with a Diploma in Studio Pottery. Sarah undertook apprenticeships with David Leach and Zelda Mowat.

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Laura Plant

Making in her hometown of Stoke-on-Trent, Laura draws from the creative heritage and ambition of the pioneering potters who made the city famous. Her contemporary forms echo the grandeur of 18th century ceramics, she has long admired. Thrown in porcelain, each piece is a unique ‘sketch’ in clay, carefully turned and refined to reveal the precise form.

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Duncan Ayscough

Duncan’s fascination with clay began as a child in his parents’ garden. The colour, smell and malleability of the earth led him to discover at school the transformation of clay by heat into a permanent object. As a teenager, Duncan was captivated by seeing his teacher throwing a pot on a kick-wheel, his bedroom posters were images of communist revolutionary heroes and 20th-century studio pottery.

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