Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Hajeong Lee Rogers grew up in a suburb of Seoul the South Korean capital. She has received many awards for her work including the National Award for Craft Art in 2005, which was awarded for a large ceramic sculpture - the size of a small car. Her pieces are held in collections across the UK, and within the USA.
Taja came over to UK from his native country Japan to study oil painting and settled in Devon over 40 years ago. He was inspired by so many potters in the south west, so he started making pots using his friend’s pottery workshop. He is largely self-taught. He found that slab and coil built pottery suits him the most. He started experimenting with porcelain clay about 20 years ago after being inspired by enormous blue porcelain wall tiles at a new Japanese airport especially the water-like quality of the blue glaze.
Lea Phillips makes a wide range high fired stoneware pottery, mostly functional plus some larger one-off pieces. All the ceramics are wheel-thrown, fired in an electric kiln and decorated with free abstract designs using vibrant colourful glazes made to her own recipes. A firm believer that oxidised firing is no barrier to interesting surfaces Lea enjoys glaze development and the challenge of combining form, colour, and pattern.
Tim works from his studio/gallery and garden in an East Devon village, making and curating exhibitions and occasionally writing. It’s a combination of the immersion in his local environment with the many invitations to exhibit/lecture around the world that has influenced his work for well over forty years. Some of Tim’s favourite adventures have been in China, India, Australia - and many times in Japan, which has reconnected him with his family history in that country, which stretches back almost 150 years.
Marcio Mattos became fascinated with clay after seeing an exhibition of tea ceremony bowls at the V&A museum many years ago. He went on to train at Richmond College and later for a degree at Goldsmiths College. He presently creates one-off sculptural vessels and plaques in black stoneware and porcelain paper clay with dry-glazed textural surfaces and brushed decoration.
Tessa trained in Ceramics at Goldsmiths College, London 1981-84. On leaving college she developed a method of sawdust firing for surfaces that were high fired and internally glazed making it possible for them to hold water. Her vessel ranges are both hand-built and slip-cast, sculptural in form but always functional.
