Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Chris was born in 1959. His introduction to clay began at adult education classes in Islington. He went on to study Sculpture at St. Martins School of Art, London and graduated in 1982. Chris has moved around the country over the last decades. He helped set up the Chocolate Factory studios in Hackney, London in 1995. In 2006, he moved to Argyll, Scotland to set up another pottery. By 2009, Chris relocated to Cumbria setting up a new pottery in a converted farm building.
Lisa Hammond MBE is a soda firing potter who works at Maze Hill Pottery, Greenwich, London. She has been making pots for best part of 40 years in which time she has taught extensively and pioneered soda glaze and shino firings.
There was a time when Sarah’s work referenced landscape more directly.
Landscape is still pivotal for her, but now in a more internal, abstracted and oblique way.
The clay structure is the earthy foundation, the surface marks, colours and textures are
transient moments of weather and light, season and time.
Peter Smith was once a research chemist before turning his hand to ceramics and starting a pottery in Cornwall. He aims to combine the feel of traditional earthenware with contemporary ideas. The basic form is often thrown on the wheel in a heavily grogged brown clay.
Matthew Chambers specialises in ceramic sculptures constructed from multiple sections built on the potter’s wheel. Finished with integral colour, unglazed but polished, each piece expresses an abstract beauty through its depth, pattern, and repetition.
Lea Phillips makes a wide range high fired stoneware pottery, mostly functional plus some larger one-off pieces. All the ceramics are wheel-thrown, fired in an electric kiln and decorated with free abstract designs using vibrant colourful glazes made to her own recipes. A firm believer that oxidised firing is no barrier to interesting surfaces Lea enjoys glaze development and the challenge of combining form, colour, and pattern.
