Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Moyra Stewart has worked in clay for more than forty years after graduating from Edinburgh College of Art in 1979. Her work has been exhibited across the UK, in Canada and Japan, and in 2015 she was awarded Craft & Design Maker of the Year prize.
Tim works from his studio/gallery and garden in an East Devon village, making and curating exhibitions and occasionally writing. It’s a combination of the immersion in his local environment with the many invitations to exhibit/lecture around the world that has influenced his work for well over forty years. Some of Tim’s favourite adventures have been in China, India, Australia - and many times in Japan, which has reconnected him with his family history in that country, which stretches back almost 150 years.
Carina trained as an industrial designer in Germany and specialised in furniture design. One day she found herself at a ceramic studio near her house. She had a sudden realisation that there was no difference between making a teapot or a chair because it's all about aesthetics: form, function, balance, and proportion.
Carina had no formal ceramic education and through apprenticeship, short courses, and residencies she has learned and worked with different clays in different parts of the world. She explores the potential and qualities of each clay body, a continuous conversation unfolding between the maker and the material.
Based in North Yorkshire, Emily graduated with a BA(Hons) in Ceramics from University of Wales, Cardiff in 2007. She went on to co-found PICA Studios - an artist led studio collective of 23 artists, makers, writers, and thinkers set within an 18th century printworks in the centre of historic York.
Sasha Wardell has been working in bone china since 1982. Her formal training in ceramics included both undergraduate and postgraduate degrees and industrial training secondments to L’Ecole Nationale des Arts Decoratifs, Limoges, France, and the Royal Doulton design studio, Stoke on Trent, UK.
An industrial approach to the traditional bone china manufacturing process has strongly influenced the way in which Sasha presently works, reflecting her fascination for methods and materials which present a challenge. It is for this reason that bone china, with all its idiosyncrasies, has remained her favourite material.
Sarah makes functional pieces for the home. She has multiple influences including English Delftware and East Asian celadon ware. Her work is also inspired by coastal landscapes, plants, paint colours and fabrics. Soft natural colours are a strong characteristic of Sarah’s work.
