Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Chris Keenan has been making pots for almost twenty-five years. Thrown and turned by hand on the wheel using Limoges porcelain, he specialises in pieces for interior spaces – designed for functional use and for decoration.
Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume.
Jin Eui Kim is an internationally renowned ceramic artist. Originally from South Korea, he now lives and works in Cardiff, UK.
Whilst at Cardiff School of Art & Design, Jin Eui studied the illusory effects of the application of tonal bands to three-dimensional surfaces. He graduated with an MA and PhD in Ceramics.
David read philosophy and literature at Warwick University. Realising the lack of jobs as a philosopher, he became a potter and taught part-time in the ceramics department at Wolverhampton University for thirty years. This allowed him the space in which to continue with his personal practice. He was awarded a PhD from Manchester Metropolitan University in 2016. David used the inquiry within his thesis to examine the question of how he could employ the language of materiality, making, and firing (particularly raku) to critically focus on issues of personal identity.
Hannah’s pots are inspired by traditional British earthenwares and her decoration is derived from the world around her. Often the floral abundance in her garden and the surrounding wilds, both cultivated and untamed, are referenced in her pots. Sometimes there are political statements veiled in imagery of folklore and symbolism.
“I aim to blur the dividing lines between art and craft. I use clay or porcelain as my canvas, creating illustrated plates for installations or vessels as sculptural displays. The themes include zoom meetings, refugees, masks, musicians, people at rest, funny faces, at the café, at the beach, at the Met, and conversations across time.” – Gail Altschuler.
