Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Anne Butler trained in Ceramics in the University of Ulster and the University of Wales in Cardiff and now works from her studio in Northern Ireland. The Eclipse vessels are inspired by the light and shadows cast in the urban environment.
Clare Conrad's work is an exploration of colour and texture, inspired by the effects of light and ageing on architecture, artefacts and landscape. Her technique of layering vitreous slip onto wheel-thrown vessels, vases and bowls creates a rugged texture.
Sarah has been a potter for 45 years and also makes work in oak, lead and cast iron. She trained in painting at Chelsea School of Art between 1960-64 after which, she spent five years working as a nurse. This period was followed by studying at Harrow where she graduated in 1973 with a Diploma in Studio Pottery. Sarah undertook apprenticeships with David Leach and Zelda Mowat.
David had no artistic or ceramic history in his family, nor did he formally study ceramics. He discovered ceramics by accident as an element in his teaching degree whilst at Bretton Hall in the late 1960s. Similarly, his work in raku was appropriately the result of a serendipitous encounter with an American raku potter in the mid-1970s. David states that due to persistence, natural talent and support from colleagues, friends, and family, especially his wife Jan, over the past 40 years he has established himself as a leading international practitioner in raku ceramics.
Petra trained in the South East and then gained a degree at Cardiff before joining Wobage Workshops, South Herefordshire in 1995. She and her husband, Jeremy Steward, also a potter, live on the edge of the Royal Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Collecting and arranging manmade and natural forms provides Claire with great enjoyment and creative impulse for her making. Crucial to her creative process is her discipline of drawing and keeping a continuous sketchbook of ideas and studies. Sculptural forms have emerged through extensive research and exploration of alternative hand-building techniques. Smoky and painterly surfaces envelop her ceramic forms and are integral to the whole.
