Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Marcus produces expressive functional stoneware and porcelain rooted in the Leach Hamada tradition. He is also greatly inspired by the Irish landscape.
Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.
Phil throws and hand-builds in various stoneware clays, making bowls, vases and sculptural forms. However, his main output is concentrated on small-scale porcelain and white stoneware bowls and bottles. They are exclusively hand thrown.
Sarah has been a potter for 45 years and also makes work in oak, lead and cast iron. She trained in painting at Chelsea School of Art between 1960-64 after which, she spent five years working as a nurse. This period was followed by studying at Harrow where she graduated in 1973 with a Diploma in Studio Pottery. Sarah undertook apprenticeships with David Leach and Zelda Mowat.
Adam Frew creates functional porcelain pieces and large one-off pots. His pieces are clean, traditional, forms thrown on the potters wheel that subtly show the makers hand and create a sense of life from the craftmanship of his work.
Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.
