Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Originally from Kent, Mitch studied Ceramic Design at Falmouth School of Art during the early 1990s. She creates hand-built sculptural ceramics inspired by the natural forms from her coastal finds, both at home in North Devon and on her travels. Her stoneware vessels hark back to the dry, worn spirals of old conch shells collected on Caribbean beaches.
Matthew Chambers specialises in ceramic sculptures constructed from multiple sections built on the potter’s wheel. Finished with integral colour, unglazed but polished, each piece expresses an abstract beauty through its depth, pattern, and repetition.
The passage of time and change observed in urban and rural landscapes has always been central to the themes Dennis explores in his work. The process of archaeology and its concern with time and layers has also greatly influenced the way in which he expresses his ideas. Architectural fragments, marks on the landscape, multi-layered and over painted surfaces, have all influenced the way he works in clay.
Jane’s work is about finding beauty in the ordinary. It’s about the small things and recognising the accidental poetry in the unnoticed and overlooked. Living in the city, this is often found in apparently insignificant details of the built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of found forms.
Josie Walter became passionate about clay in 1976 when she enrolled on the Studio Ceramics course at Chesterfield College of Art. After three years of throwing, building kilns, visiting potters and generally being immersed in pottery, she opened a workshop in Matlock with a fellow student.
Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.
