Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Andy was born and raised in North Staffordshire, aware of the nearby manufactured ceramics and the historical legacy of ‘The Potteries’. Beyond pottery lessons at school, Andy undertook a vocational craft-based course at the University of Derby.
Chris was born in 1959. His introduction to clay began at adult education classes in Islington. He went on to study Sculpture at St. Martins School of Art, London and graduated in 1982. Chris has moved around the country over the last decades. He helped set up the Chocolate Factory studios in Hackney, London in 1995. In 2006, he moved to Argyll, Scotland to set up another pottery. By 2009, Chris relocated to Cumbria setting up a new pottery in a converted farm building.
Kate studied 3D Design at the University of Brighton. After graduating, she participated in an international ceramic residency in Japan where she worked alongside established Japanese, Korean, and American artists. On her return, Kate set up her ceramic studio in London where she worked for nearly ten years. She now works from her garden studio in Kent making raku and stoneware pieces.
Born and raised in London, Diane graduated with a BA (Hons) in ceramics in 1988. It was during her foundation course in the 1980s that she fell in love with clay. It lit her up, and her lifelong passion began. Initially she was drawn to how immediate, tactile and responsive it was, but it was during her degree at Farnham that she discovered how truly versatile clay is as a creative medium for artistic expression.
John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.
Angela has been working in bone china since 1991 using traditional slip casting techniques: designing her own models, making plaster moulds, and finally slipcasting translucent pieces. Conventional forms, vessels, bowls and plates retain both their functional identity but also serve as a natural canvas for decoration. Her work develops in series mostly inspired by nature; depending on the decoration each series has its own identity.
