Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Bev Bell-Hughes

When Bev was at art school in the late sixties, her final thesis focused on the relationship between natural forms and clay. However, it was only since 1978 when she moved to Wales, that she developed her work to relate directly to where she lives.

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Paul Philp

Paul Philp has been making ceramics for over fifty years. Uniting refined classic forms with highly tactile surfaces to create pieces of strong individual identity Paul builds each piece by hand.

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Matthew Blakely

Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.

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Ian Byers

Ian was born in Birmingham - a city famous in its past for guns, cars, motorbikes and jewellery: a city of makers. He studied ceramics at the Central School of Art, London. His teachers included Gordon Baldwin and Dan Arbeid who encouraged skills and making of all types, from hand-building to industrial techniques as possible means of artistic expression. Ian’s own teaching and exhibiting in the UK, Europe and the Far East has provided opportunities to produce work as a response to different places and cultures. 

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Martin McWilliam

Martin describes his work as ‘ Clay – Water – Wood –  Fire – Space’. These five elements are synthesised to create a reversed trompe-l’œil type of work, seemingly excavated or revealed, and simultaneously diminishing the third dimension.

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Barbara Gittings

Barbara Gittings’ smoke fired, nerikomi porcelain vessels are quiet, contemplative and sensual, as she wants anyone looking at the work to want to touch it and be drawn in.

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