Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Moyra Stewart has worked in clay for more than forty years after graduating from Edinburgh College of Art in 1979. Her work has been exhibited across the UK, in Canada and Japan, and in 2015 she was awarded Craft & Design Maker of the Year prize.
Juliet Macleod makes wheel-thrown porcelain that imparts an evocative exploration of the Scottish coast. Using a distillation of drawings and photographs made over many years, she creates contemplative pieces which hope to engage the viewer and spark their own memories.
Gilles makes a variety of functional and one –off thrown stoneware pieces. His forms are freely manipulated on the potter’s wheel, some are altered and joined to construct taller larger pieces, other have incised marks applied to the soft clay revealing a subtle and tactile quality to the work, carrying a sense of captured sculptural movement.
Working with clay allows Sue a secondary voice, a line of communication through form. Her work explores the fragility and hidden strength found within the natural world.
The slow repetitive hand-building techniques she uses to create her pieces offer a considered way to develop the work as each piece calmly grows. Deliberate junctions are made by breaking and re-joining the form where collars or shoulders then evolve. Surface markings are infused into the work during the making, with slips and oxides being applied throughout the drying stage. Built with a white stoneware clay body, the work may be glazed or left bare.
For this new exhibition, Jane will be showing a group of hemispherical double walled bowls mixed with different organic and man-made materials collected randomly, each a metaphor for memory and words. Using combinations of press moulding, coiling and slabbing processes before burnishing the surface, her pieces are then low fired and then refined with sandpaper followed by a higher temperature firing.
Ant first encountered pottery in primary school. His teacher, Mr Wright introduced him to clay and planted the beginnings of a lifelong passion. He started out as a science teacher but gave up teaching in his late twenties after years of evening classes and moved to Lincolnshire to set up his own pottery workshop.
