Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jack has two major strands to his ceramic portfolio: hand-thrown porcelain vessels and his stoneware domestic range. Over time, he has developed and forged his own unique way of making.
With his distinctive hand-thrown porcelain vessels, Jack has honed his craft skills to working with one clay, one colouring mineral and one single firing technique. Within this simple but richly complex way of fine tuning his practice, he has found his singular creative focus. His firing technique is unique, where the space within the kiln is used creatively.
Matt Horne began his career in ceramics with training at Aylesford Pottery in Kent, where he developed his technical skills in production throwing, before going on to set up his own workshop near Folkestone in 2008.
Claire creates decorative smoke-fired pots. She chooses to use porcelain due to its strong resistance to wild temperature changes during the smoke-firing process. Her pots are not functional nor suitable for holding water due to the porous quality of the unglazed burnished clay which is necessary for smoke-firing.
Inspired by a Chinese bottle gifted to her as a child, each piece Carolyn makes assumes its own identity with the application of transferred decoration. Collected imagery and text tell stories from lives past and present centring around the human condition and covering themes both significant and trivial.
Emily-Kriste Wilcox works from her studio in Birmingham, and has been a professional ceramicist for over 15 years. She was recently awarded 'Best Ceramics and Painting Studio 2020' in the West Midlands category of the UK Enterprise Awards.
Stephen’s first pots were made at Soham Grammar School in the late 1960s-early 70s where his art teacher and early mentor, Peter Askem helped and encouraged his to move onto the Foundation Course in Art and Design at Cambridge College of Arts and Technology.
He then progressed onto the BA Hons course in 3D Design (Ceramics) at West Surrey College of Art and Design, Farnham. The tutors and visiting lecturers at Farnham included Sebastian Blackie and Mo Jupp. Stephen found the ‘Farnham experience’ to be life changing.
