Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Petra Steward

Petra trained in the South East and then gained a degree at Cardiff before joining Wobage Workshops, South Herefordshire in 1995. She and her husband, Jeremy Steward, also a potter, live on the edge of the Royal Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.

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Justine Allison

Since leaving Camberwell College of Art in 1988, Justine has been primarily working with hand-built porcelain. Her work addresses the boundaries between function and decoration. Form is paramount to her, function is a driving motivation, but it is the aesthetics of a piece that are key to her making.

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Nigel Lambert
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Anna Lambert

Anna Lambert, a nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.

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Alasdair Neil MacDonell

Alasdair Neil's ideas focus on the strange beauty found in the decaying architecture of industrial wastelands. He has built up a large collection of clay and plaster moulds that he has made from the surfaces of found fragments of discarded waste. It is these textures, patterns, shapes and colours that form the thread that runs throughout his entire range of  unique hand built forms

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Jane Cairns

Jane’s work is about finding beauty in the ordinary. It’s about the small things and recognising the accidental poetry in the unnoticed and overlooked.  Living in the city, this is often found in apparently insignificant details of the built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of found forms.

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