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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Lea Phillips

Lea Phillips makes a wide range high fired stoneware pottery, mostly functional plus some larger one-off pieces. All the ceramics are wheel-thrown, fired in an electric kiln and decorated with free abstract designs using vibrant colourful glazes made to her own recipes. A firm believer that oxidised firing is no barrier to interesting surfaces Lea enjoys glaze development and the challenge of combining form, colour, and pattern.

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Anna Lambert

Anna Lambert, a nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.

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Tricia Thom

Tricia graduated from Gray’s School of Art, Aberdeen in 1985 and after a post graduate year, she worked for a production pottery in the Highlands for three years.  While there, she became a principal hand-decorator of pots and developed some surface designs for the range, but also received a grounding knowledge of the ceramics industry and practices. 

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Ben Arnup

Ben Arnup’s interest in ceramics started at home. With a sculptor and a potter as parents, he grew up learning ceramics skills and technology. Ben has exhibited in Britain, Europe and America, his work is represented in public collections in Britain and Germany.

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Peter Bodenham

Informing and framing his ceramic practice are a range of sources including the processes of walking the coast, swimming along its shore, gathering objects, materials and studying its intertidal ecology and geology. Images, motifs and gestural marks brushed or drawn into the surface of both his functional pots and the sculptural vessels can be seen as direct traces of his phenomenological experience.

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Ken and Valerie Shelton

Valerie studied fashion and textiles at Brighton and Bristol art colleges. Valerie’s art is about a combination of brushstroke and knowledge of colour acquired through a lifetime of painting. Ken learned to pot with potters in Bristol and London and has had a long association with potters throughout the country in his work for the craft ceramic materials industry and kiln manufacturing. 

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