Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Richard grew up in Stoke-on-Trent, a city with a long history of ceramics. Richard graduated from Manchester Metropolitan University in 1996 with a BA(Hons) in Ceramics and Design, focussing on reduction firing and oriental ceramics. He set up his first pottery in south London, specialising in blue and white porcelain.
After completing an MA in Ceramics from the RCA in 1988, Paul moved to Italy and worked for Gucci on their home and perfume products, then into the world of leather goods and accessories. That seemed a natural progression from clay with his love of form, sculpture and respect for craftsmanship. This led to a 30-year career in Fashion accessories, moving to New York in the early 90s, becoming design director for Calvin Klein, Cole Haan, and COACH amongst others.
Wendy discovered clay on an art foundation course. She went on to study at the University of Central Lancashire in 1998, gaining a BA in 3D Design (Ceramics). Since her graduation, she has continued to teach ceramics and run workshops for schools, colleges and community groups. She has participated in symposiums and workshops in Britain, Europe and America.
Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.
Jane completed a foundation course at Chelsea School of Art, before obtaining a Fine Art degree at Winchester School of Art. She works in paper porcelain, a sensitive medium. The malleable, translucent yet robust qualities of the combination of clay and paper enables her to construct and hand build. Rolling the clay eggshell thin, tearing and pushing it to its limits to the final firing, Jane is entirely absorbed by the process of making.
Sue’s multidisciplinary conceptual practice comprises stand-alone pieces, installation, film and tableware, collectively defined by a distinct language. Current work is rooted in traditional techniques, thrown forms made on the wheel, firing in real flame kilns and using natural wood ash deposits and the reduction flame to add unpredictable embellishment.
