Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

James Hake

After studying Three-Dimensional Design at Manchester Metropolitan University, James completed The Pottery Skills Course near Kilkenny, Ireland, where an intensive focus on technique, combined with the time and space to develop his practice, helped shape his distinctive approach to ceramics.

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Simon Hulbert

Simon’s porcelain collection is a series he made based on his experience while on a residency in Jingdezhen, China. The series mixes modernity with the millennia-old heritage of Chinese porcelain. The work features hand painted brush strokes that capture the energy and artistry of traditional Chinese calligraphy.

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Emily-Kriste Wilcox

Emily-Kriste is a Birmingham-based ceramic artist whose hand-built vessels explore the relationship between landscape, memory and material. Working with slab-built white earthenware, she approaches clay as a painter approaches canvas, creating one-of-a-kind pieces that bring elements of the natural world into contemporary interiors.

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Anne Butler

Anne trained in Ceramics in the University of Ulster and the University of Wales in Cardiff and now works from her studio in Northern Ireland. The Eclipse vessels are inspired by the light and shadows cast in the urban environment.

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Jonathan Chiswell-Jones

Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.

In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.

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Lisa Katzenstein
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