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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Kim's work is inspired by the history, geology and people of South Wales, where she has lived and worked throughout her career. Some of her ceramics work is a direct response to historical events, whilst other pieces explore wider, more general themes and narratives. The geological structure of the South Wales Coalfield is a current theme, acting as a metaphor for the way that communities bury and distort the past, creating memories that fit their contemporary needs.
Her work captures her imaginary life and real life, which overlap. She used to pretend to live as a ‘normal’ person in society but wildness took over the thin veneer and it consumed her. Once she started making sculpture, all those layers of pretention fell away. She was finally one whole person.
Claudia trained as a painter but transferred to pots because she found the turning surface sympathetic to an unfolding visual narrative. Stories are her raw material - both her own and other people's, also fictional stories, songs, and poetry. The human, cultural, and historic associations of pottery connect particularly well to the work she does interpreting women’s histories and contemporary lives. The nature of pots is that they can break, and so can be mended. This she finds to be a compelling metaphor for both trauma and survival - the mending has an optimistic quality.
Paul Priest is a sculptor known for his animal works drawing on both domestic and wildlife subjects. His work has been exhibited around the world and is represented in numerous galleries, public and private collections in the UK and overseas. The animals and mythical figures he creates vary widely, reflecting both the breadth of his subjects and the continued demand for the work.
In 2014, Jack and his late wife and fellow ceramicist built a 3D ceramic printer, there being no such printers available at the time. Together they began making 3D printed ceramics. Within six years, Jack re-thought his design ideas, formulated a workable clay mix, and developed his skill. His designs combine hand-drawn elements with mathematical curves and semi-random 'noise'. He is interested in nature's growth processes which often build up layer by layer like a 3D print. Random variations were introduced by using algorithms that were developed for animated films to give the appearance of flames, hair or vegetation.
Dan Kelly trained at Camberwell School of Arts and Crafts where Colin Pearson was an initial influence, encouraging him to develop his throwing technique. His stoneware pots are defined by the way he manipulates them - cutting and reshaping by hand.
