Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Penny Fowler is a London based potter whose work reflects 21st century living in the capital. Using porcelain and bone china clays, her work is characterised by clean, precise lines and forms using a strong palette.
Landscape is pivotal to Sarah’s work, expressed in an oblique way. A distillation of her responses to the transient moments of mud and weather, sun, season and the clay in her hand. Like the changing weather, her approach constantly shifts as she explores shapes, colours, textures and markings.
Ant first encountered pottery in primary school. His teacher, Mr Wright introduced him to clay and planted the beginnings of a lifelong passion. He started out as a science teacher but gave up teaching in his late twenties after years of evening classes and moved to Lincolnshire to set up his own pottery workshop.
Being brought up close to the Yorkshire Sculpture Park has been a gift and an education to James from a very young age. The aesthetic of Barbara Hepworth’s work is almost ingrained in him, as though it were the basis of his consciousness of texture, proportion, line and form. After completing a foundation course at Dewsbury Art College, James spent two weeks in the ceramics department working with renowned Raku Ceramist David Roberts. He was immediately drawn to clay as a material. Later, upon graduation from Loughborough and then the Royal College of Art in 2001, James set up a studio in London for several years before returning to his native Yorkshire in 2005.
Having enjoyed making from a young age, Jo completed a degree in jewellery and silversmithing at Edinburgh College of Art before embarking on a career in retail management. It wasn’t until her children started school that she enrolled in a pottery course, where what had begun as a hobby quickly became an obsession.
Jo works from her home studio in Fife, producing wheel-thrown and hand-built ceramics decorated using the sgraffito technique. Her inspiration comes from two distinct strands: nature - particularly wild plants - and mid-century architecture and pattern. The botanical pieces celebrate weeds that are often overlooked or disdained, allowing their architectural beauty to shine, while the geometric designs explore a detailed interplay of pattern and form, resulting in complex, graphic surfaces.
Jo works from her home studio in Fife, producing wheel-thrown and hand-built ceramics decorated using the sgraffito technique. Her inspiration comes from two distinct strands: nature - particularly wild plants, and mid-century architecture and pattern. The botanical pieces celebrate weeds that are often overlooked or disdained, allowing their architectural beauty to shine, while the geometric designs explore a detailed interplay of pattern and form, resulting in complex, graphic surfaces.
Birgit Pohl grew up in Germany and porcelain objects in her family home always held a particular fascination. After moving to London, a chance visit to a potter’s studio first opened her eyes to the possibilities of working with porcelain. She learned how to throw on the wheel initially at evening classes and went on to study at Clay College, Stoke-on-Trent.
