Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Michelle studied Ceramics at Edinburgh College of Art, graduating in 1994. The course focused strongly on sculptural ceramics and encouraged a fine art approach to creativity. Students benefited from a wide range of visiting artists, and Michelle was fortunate to have Magdalene Odundo as an external assessor, who inspired a dynamic and fearless approach to the materiality of clay. It was the hands-on nature of the material, and the opportunity to learn a craft, that first drew Michelle to ceramics. Since then, she has continually sought to explore its boundaries, expanding her knowledge and skills through daily practice.
Ruthanne Tudball is the author of the first book on Soda Glazing, published by A&C Black. Her thrown, hand built and faceted work is held in public and private collections across the world including Europe, North America, Australia and Asia.
Alistair studied ceramics at Bath Academy of Art and set up his first pottery studio in Gloucestershire in 1978, producing thrown reduction fired stoneware for a range of companies. While continuing with his own making he later took on the running of the studio ceramics department at The Royal Forest of Dean College and instigating a series of potters conferences.
Based in North Yorkshire, Emily graduated with a BA(Hons) in Ceramics from University of Wales, Cardiff in 2007. She went on to co-found PICA Studios - an artist led studio collective of 23 artists, makers, writers, and thinkers set within an 18th century printworks in the centre of historic York.
Jane Hamlyn's life as a full-time professional potter began in 1975. She chose to work in salt-glaze, an unpredictable technique with a short history and undiscovered potential.
Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.
