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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jane’s work is about finding beauty in the ordinary. It’s about the small things and recognising the accidental poetry in the unnoticed and overlooked. Living in the city, this is often found in apparently insignificant details of the built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of found forms.
Jeremy Nichols creates saltglazed ceramics that combine functionality with visual impact. Graduating with a first in Workshop Ceramics from the University of Westminster (Harrow) in 1997, the following year he set up his workshop in a converted farm building in Broxbourne, Hertfordshire, where he has been making ever since.
All Francis' work is thrown using stoneware clays and is reduction fired, increasingly turning to salt glaze for his desired surface. Functional pots are his main concern, pots made for use in daily life, often giving a nod towards other historical objects, not necessarily made of clay, featuring utilitarian components now ultimately defunct but repurposed as decoration. He uses a muted palette of glazes and seeks a balance between looseness and definition in his forms.
Many years ago, Harriet was inspired by an article by Dick Lehmann about carbon trap glazes. She has been exploring this intriguing glaze ever since. She believes that all the potters who work with carbon trap seek different qualities and achieve quite distinctive effects even though they may use the same recipe and fire to the same temperature in the same kind of kiln. The glaze is unusually responsive to the atmosphere in the kiln and even to the weather as it dries before firing.
Jane completed a foundation course at Chelsea School of Art, before obtaining a Fine Art degree at Winchester School of Art. She works in paper porcelain, a sensitive medium. The malleable, translucent yet robust qualities of the combination of clay and paper enables her to construct and hand build. Rolling the clay eggshell thin, tearing and pushing it to its limits to the final firing, Jane is entirely absorbed by the process of making.
John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.
