Deliveries to European Union countries are currently suspended due to new EU regulations.
Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
After a career in the fashion industry, Sue began her journey in ceramics in 2017 as a beginner at Putney School of Art. Captivated by the tactile nature of clay, she went on to study on the HND Ceramics course at Morley College London, graduating in 2020. She is currently completing her BA in Ceramics at Morley.
In his youth Peter collected (mainly damaged) Chinese Kangxi and 18th Century European porcelain, regularly visiting Portobello and Bermondsey Market at 6am. His making came later, but is influenced by the pieces he bought, studied, and has loved over the years. These pots have of course been themselves influenced by earlier ceramic, silver, and pewter forms.
Deiniol‘s ceramic practice explores the dichotomy between rhythm and discord, and balance and disorder. By bringing together raw and unrefined materials and incorporating them into the clay, he seeks the harmonious point between the rhythmic flow of the potter‘s wheel and the disruptive and chaotic inclusions within the modified clay. Having grown up on a farm in rural West Wales, Deiniol has a strong connection to land and place which literally led him to take elements of the earth and incorporate it into his work.
Barbara Gittings’ smoke fired, nerikomi porcelain vessels are quiet, contemplative and sensual, as she wants anyone looking at the work to want to touch it and be drawn in.
Sasha Wardell has been working in bone china since 1982. Her formal training in ceramics included both undergraduate and postgraduate degrees and industrial training secondments to L’Ecole Nationale des Arts Decoratifs, Limoges, France, and the Royal Doulton design studio, Stoke on Trent, UK. An industrial approach to the traditional bone china manufacturing process has strongly influenced the way in which Sasha presently works, reflecting her fascination for methods and materials which present a challenge. It is for this reason that bone china, with all its idiosyncrasies, has remained her favourite material.
