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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Lisa Hammond MBE is a soda firing potter who works at Maze Hill Pottery, Greenwich, London. She has been making pots for best part of 40 years in which time she has taught extensively and pioneered soda glaze and shino firings.
Canada born Malory gained a Bachelor of Fine Arts, Major in Ceramics, Minor in Art History in 2016 from NSCAD University (Nova Scotia College of Art and Design). She makes one-of-a-kind sculptural vessels inspired by the artistic movements of the 17th and 18th Century. Her work is a contemporary interpretation of this period, of objects that focus on extravagance and specificity. More often than not, her pieces are designed for flowers.
Petra trained in the South East and then gained a degree at Cardiff before joining Wobage Workshops, South Herefordshire in 1995. She and her husband, Jeremy Steward, also a potter, live on the edge of the Royal Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Annabel discovered clay at Farnham Art School through Saturday morning classes in the early 1960s. After studying at Winchester Art School and Croydon College of Art, she later gained a BA(Hons) in Sociology and a PhD in Lesbian History at Essex University. In her early 40s, she returned to ceramics as one of the initial students on the City Lit Ceramics Diploma course in 1989. Annabel’s work is rooted in a fascination with the gradual transformations caused by corrosion, erosion and weathering. Living on a stretch of the Sussex coast, she is drawn to the surfaces and structures found in coastal and edgeland environments, where the effects of time, exposure and neglect create unexpected forms of beauty. Popular seaside amenities sit alongside abandoned industrial sites and forgotten structures, their remnants continually reshaped by salt, wind and sea.
Marcus produces expressive functional stoneware and porcelain rooted in the Leach Hamada tradition. He is also greatly inspired by the Irish landscape.
