Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Born and raised in London, Diane graduated with a BA (Hons) in ceramics in 1988. It was during her foundation course in the 1980s that she fell in love with clay. It lit her up, and her lifelong passion began. Initially she was drawn to how immediate, tactile and responsive it was, but it was during her degree at Farnham that she discovered how truly versatile clay is as a creative medium for artistic expression.
Peter Beard’s work has been exhibited around the world and is represented in numerous museums, public collections and private collections in the UK and overseas. The award winning artist has a contemplative approach to making and spends much of his time sketching out ideas for new pieces.
Hiro was born in Fukushima, Japan. Due to her father’s work commitments, Hiro had a peripatetic childhood. The constants in her life were her grandmother and being close to nature. However, she was dismayed later on to find that the traditional old buildings from her childhood walks with her grandmother had been demolished. Driven by sadness and nostalgia at the loss of her childhood environment/world in Japan, Hiro creates a link between the present and the past from her memories and imagination.
Margaret was introduced to clay at Bolton College of Art before continuing her studies at Stoke-on-Trent School of Art, where she was taught by former Bernard Leach apprentice Derek Emms. It was there that she met her future husband, David Frith. In the mid-1960s they established their first workshop, and from 1976 they were based in their 18th-century woollen mill in Denbigh, North Wales. From this setting they taught and made their work together for over fifty years.
Loraine's background as a map maker informs her ceramics practice. Clay provides a tangible connection to the earth’s surface, through which her work explores how maps shape our sense of place and belonging. Relief maps and domestic-scale vessels are decorated with cartographically accurate drawings. By playing with scale and volume—whether through a pocket globe that places the world in the palm of the hand, or topography with amplified relief—her work addresses specific themes, including environmental and social inequality, and monumental journeys.
Björk’s professional background is in Architecture and her work remains unequivocally architectural to her eyes and is influenced by her training and profession in many ways. However, natural forms reflecting her upbringing in Iceland and exposure to the extraordinary in nature are also reference points.
