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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Originally from Kent, Mitch studied Ceramic Design at Falmouth School of Art during the early 1990s. She creates hand-built sculptural ceramics inspired by the natural forms from her coastal finds, both at home in North Devon and on her travels. Her stoneware vessels hark back to the dry, worn spirals of old conch shells collected on Caribbean beaches.
Tom makes pottery for use at the table, in the kitchen, and around the home, inspired by the ceremony of eating and drinking. He is continually fascinated by the tension between form and function, using glazes as ‘clothing’ to dress and emphasise strong silhouettes. This approach originates in his studies under Steve Sheridan as a schoolboy and his enduring admiration for makers including Richard Batterham, David Leach, and Gwyn Hanssen Pigott.
The Peak District Pennine landscape and seasons are the backdrop to everything Timothy does. He makes pottery on the border between function and sculpture: in essence vases, bowls, bottles and cups, though these are really just what he calls 'serving suggestions'. His work is multiple-fired, often starting with the wood kiln and ending with lustres.
Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.
Akiko Hirai produces both practical and decorative ceramic ware that is held in private collections and museums worldwide. Her Japanese background and aesthetics strongly influence her ceramic work while her pieces are also perfectly rooted in contemporary designs.
Maria's early creative training and work was in graphic design at a time when the industry was changing from drawing boards to computers. As her work became more computer based she realised she missed using her hands and making things, that realisation led to ceramics, initially experimenting in a shed in her garden, but later to an MA in ceramic design at Bath Spa University. Since graduating she has exhibited nationally and internationally and now works from her studio in Frome.
