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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Anna is known for her finely wheel-thrown porcelain vases and bowls and her meticulous attention to detail. Having trained at Camberwell School of Art and the Royal College of Art, she spent time teaching in the US before returning to London. She established her ceramics workshop almost 30 years ago, which is now based in South London at her home in Sydenham.
Jenny Southam studied Fine Art in Bristol where she developed her practice in Sculpture, gravitating towards bronze. After several years working as a sculptor and bronze-casting assistant in Gloucestershire she moved to Devon, where she embraced clay as her medium of choice. For thirty years her family, home, garden and studio has formed an integrated whole.
Deiniol‘s ceramic practice explores the dichotomy between rhythm and discord, and balance and disorder. By bringing together raw and unrefined materials and incorporating them into the clay, he seeks the harmonious point between the rhythmic flow of the potter‘s wheel and the disruptive and chaotic inclusions within the modified clay. Having grown up on a farm in rural West Wales, Deiniol has a strong connection to land and place which literally led him to take elements of the earth and incorporate it into his work.
Gaby’s current focus is making saggar-fired, wheel-thrown pots. What originally drew her to this type of making was the interplay between the highly controlled form, and smooth, polished, surface texture of the piece on the one hand; and the ‘seemingly’ random nature of the surface marks created by smoke and metallic, chemical reactions, on the other.
David read philosophy and literature at Warwick University. Realising the lack of jobs as a philosopher, he became a potter and taught part-time in the ceramics department at Wolverhampton University for thirty years. This allowed him the space in which to continue with his personal practice. He was awarded a PhD from Manchester Metropolitan University in 2016. David used the inquiry within his thesis to examine the question of how he could employ the language of materiality, making, and firing (particularly raku) to critically focus on issues of personal identity.
Wendy’s work is characterized by playfulness, gentle colour palettes, and illustrative qualities. She crafts both functional and non-functional pieces, drawing on a versatile foundation of slab building, pinching, and wheel throwing. Wendy’s recent practice focuses on intuitive, freehand mark-making across slabbed and thrown forms. By layering slips and glazes, she creates rich patterns and a painterly surface depth that celebrates the spontaneous interaction between form, colour, and texture. Wendy is a Fellow of the Craft Potters Association, having first joined as a student member after graduating in ceramics from Derby College in 1990.
