Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Paul Priest is a sculptor known for his animal works drawing on both domestic and wildlife subjects. His work has been exhibited around the world and is represented in numerous galleries, public and private collections in the UK and overseas. The animals and mythical figures he creates vary widely, reflecting both the breadth of his subjects and the continued demand for the work.
In 2014, Jack and his late wife and fellow ceramicist built a 3D ceramic printer, there being no such printers available at the time. Together they began making 3D printed ceramics. Within six years, Jack re-thought his design ideas, formulated a workable clay mix, and developed his skill. His designs combine hand-drawn elements with mathematical curves and semi-random 'noise'. He is interested in nature's growth processes which often build up layer by layer like a 3D print. Random variations were introduced by using algorithms that were developed for animated films to give the appearance of flames, hair or vegetation.
Helen Beard is a potter and illustrator and a people watcher at heart. She studied at the Edinburgh College of Art. After graduating, Helen was an apprentice with Edmund de Waal in London. She set up her own studio in 2004 in the London borough of Islington where she makes, draws, designs and sometimes teaches.
Having grown up in East Germany, a spirit of friction and tension between perceived opposites informs much of Schneider’s work. Their punk-baroque sculptures operate at the margins of functionality and aesthetic convention, riding the boundary between binary opposites in ways that invite speculation and test both the powers of interpretation and the materiality of clay.
Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.
Miae began working with clay after a long career in the film industry as an animator and visual effects artist in Los Angeles. She did not encounter clay until later in life, but its tactile and transformative nature captivated her immediately. She pursued formal training at Glendale College in L.A., completing a ceramics programme in 2018 before establishing a home studio. She moved to London in 2020, where she now lives and works.
