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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Having enjoyed making from a young age, Jo completed a degree in jewellery and silversmithing at Edinburgh College of Art before embarking on a career in retail management. It wasn’t until her children started school that she enrolled in a pottery course, where what had begun as a hobby quickly became an obsession.
Jo works from her home studio in Fife, producing wheel-thrown and hand-built ceramics decorated using the sgraffito technique. Her inspiration comes from two distinct strands: nature - particularly wild plants - and mid-century architecture and pattern. The botanical pieces celebrate weeds that are often overlooked or disdained, allowing their architectural beauty to shine, while the geometric designs explore a detailed interplay of pattern and form, resulting in complex, graphic surfaces.
Jo works from her home studio in Fife, producing wheel-thrown and hand-built ceramics decorated using the sgraffito technique. Her inspiration comes from two distinct strands: nature - particularly wild plants, and mid-century architecture and pattern. The botanical pieces celebrate weeds that are often overlooked or disdained, allowing their architectural beauty to shine, while the geometric designs explore a detailed interplay of pattern and form, resulting in complex, graphic surfaces.
Anthony has been making pots for over forty years following a BA at Cardiff University, where he had the opportunity to build a salt kiln and learned to throw. These two things have been central to his making ever since. He returned to Cardiff to complete an MA twenty years ago and focused on rekindling his love of vapour glazing. He switched to soda firing when it was no longer possible to salt glaze at Cardiff.
With a training in art, design, and ceramics culminating in an MA in ceramics, Sarah creates ceramic sculptures. Taking the idea of clay as a metaphor for the body, and the body as vessel, her work explores these concepts through an abstracted study of the physiology and corporeality of the body.
Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.
All Francis' work is thrown using stoneware clays and is reduction fired, increasingly turning to salt glaze for his desired surface. Functional pots are his main concern, pots made for use in daily life, often giving a nod towards other historical objects, not necessarily made of clay, featuring utilitarian components now ultimately defunct but repurposed as decoration. He uses a muted palette of glazes and seeks a balance between looseness and definition in his forms.
Marcio Mattos became fascinated with clay after seeing an exhibition of tea ceremony bowls at the V&A museum many years ago. He went on to train at Richmond College and later for a degree at Goldsmiths College. He presently creates one-off sculptural vessels and plaques in black stoneware and porcelain paper clay with dry-glazed textural surfaces and brushed decoration.
