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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jane Cairns

Jane’s work is about finding beauty in the ordinary. It’s about the small things and recognising the accidental poetry in the unnoticed and overlooked.  Living in the city, this is often found in apparently insignificant details of the built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of found forms.

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Penny Simpson

From an early age Penny enjoyed playing with clay at home as her mother had a small pottery studio. However, it was not until she lived in Japan in her twenties that she became more seriously interested in making pots.

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Rose Wallace

Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.

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Ashraf Hanna

Award-winning artist, Ashraf Hanna works with the vessel to explore relations between profile, line, and space. Using a process of handbuilding, and working with colour and texture, Hanna examines the juxtaposition of sharp lines and soft curves.

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Irena Sibrijns

Irena Sibrijns has been a potter for over thirty years. Inspired by an avid interest in 20th century English decorative arts tradition Irena creates exquisite, and entirely unique, ornamental and functional pieces with equal enthusiasm.

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Gilles Le Corre

Gilles makes a variety of functional and one –off thrown stoneware pieces. His forms are freely manipulated on the potter’s wheel, some are altered and joined to construct taller larger pieces, other have incised marks applied to the soft clay revealing a subtle and tactile quality to the work, carrying a sense of captured sculptural movement.

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