Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, were Adela’s constant source of inspiration. She was particularly drawn to fragmentation and erosion, which she attempted to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.
Kirsty graduated from the Fine Art: Painting and Printmaking course at Glasgow School of Art in 2009. She subsequently attended life sculpture classes which led her to working with clay.
Inspired by day-to-day experiences, local landscape and wildlife, Kirsty’s ceramics are an exploration of gesture, form, colour, and place.
Ben Arnup’s interest in ceramics started at home. With a sculptor and a potter as parents, he grew up learning ceramics skills and technology. Ben has exhibited in Britain, Europe and America, his work is represented in public collections in Britain and Germany.
Jude undertook a foundation course at Somerset College of Art & Design, then gained a Dip. AD at Gloucester College of Art & Design in Fine Art (Sculpture with Painting). At art school, Jude worked mainly in bronze. She married John Jelfs in 1972 and became a potter. Jude and John live and work at the Cotswold Pottery, located in Bourton-on-the-Water, Gloucestershire, UK.
Working with clay allows Sue a secondary voice, a line of communication through form. Her work explores the fragility and hidden strength found within the natural world.
The slow repetitive hand-building techniques she uses to create her pieces offer a considered way to develop the work as each piece calmly grows. Deliberate junctions are made by breaking and re-joining the form where collars or shoulders then evolve. Surface markings are infused into the work during the making, with slips and oxides being applied throughout the drying stage. Built with a white stoneware clay body, the work may be glazed or left bare.
Having practiced as a ceramic artist since 2001, Lowri predominantly creates decorative bone china tableware from her studio in Cardiff.
Lowri's early work was very much about documenting a way of life that was disappearing. She deliberately uses industrial processes to create her work, but on a very small scale. It is the same process that was used to make most of the ceramics that adorned her Nain’s home (grandmother).
