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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jemma Gowland

Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.  

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Sandy Brown

Sandy Brown has been making ceramics now for over 50 years and is internationally known. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting, free, and irregular. Moreover, they can be loved and used for those qualities.

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Claire Seneviratne

Claire creates decorative smoke-fired pots. She chooses to use porcelain due to its strong resistance to wild temperature changes during the smoke-firing process. Her pots are not functional nor suitable for holding water due to the porous quality of the unglazed burnished clay which is necessary for smoke-firing.

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Björk Haraldsdóttir

Björk’s professional background is in Architecture and her work remains unequivocally architectural to her eyes and is influenced by her training and profession in many ways. However, natural forms reflecting her upbringing in Iceland and exposure to the extraordinary in nature are also reference points.

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Kyra Cane

Kyra Cane grew up in the small Nottinghamshire town of Southwell in the East Midlands and attended Camberwell College of Art and Craft in the early 1980’s to study Ceramics. Kyra now works from her studio based on the Welbeck Estate, Nottingham.

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John Christie

John left art school in 1970 and dug trenches for gas pipes for a living. Later, through his college friend’s brother (who was a potter) John worked for David Frith in North Wales. He found the discipline hard, but it has stood him in good stead ever since.

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