Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Sue originally trained as a sculptor at Saint Martin’s School of Art in London gaining a degree in Fine Art (Sculpture). First working in wood and metal, she discovered clay in the late nineties.
A chance encounter with a South African potter led to Sue’s fascination with burnished and smoked African and South American pots. Then in 1997, she attended a transformative course in Greece run by ceramic artist Alan Bain. There she began hand-building pots, working with terra sigillata slips, acquiring burnishing skills, and being introduced to pit firing.
Anna Lambert, a nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.
Emily-Kriste Wilcox works from her studio in Birmingham, and has been a professional ceramicist for over 15 years. She was recently awarded 'Best Ceramics and Painting Studio 2020' in the West Midlands category of the UK Enterprise Awards.
Paul Wearing's hand-built sculptural vessels reflect diverse urban and rural landscapes. Creating tension between the orderly, symmetrical handmade form and natural glaze phenomena, his work aims to highlight our materiality and fragility.
Simon spent his childhood fishing, drawing, and painting (usually creatures with sharp teeth). His first experience with clay was at the age of nine, throwing on the wheel under the guiding hands of Tessa Oates at Chipstead Craft Studios, later sculpting and modelling. He entered the world of graphic design and illustration, working in London design studios for a decade and then from his home in Kent.
Award-winning artist, Ashraf Hanna works with the vessel to explore relations between profile, line, and space. Using a process of handbuilding, and working with colour and texture, Hanna examines the juxtaposition of sharp lines and soft curves.
