Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Katie studied ceramics as part of her degree in Cheltenham and went on to teach in secondary education specialising in ceramics. Drawn to working with clay from a young age and inspired by the landscape and seascape around where she lives, Katie is particularly influenced by the manmade and natural marks in the environment. She enjoys the nature of the material and the meditative quality of hand building, as well as the malleable quality of clay which retains a sense of the maker’s hand.
Kaori is a Japanese ceramicist living and working in London. She was born in Arita, coming from a family of ceramics traders and from the age of eight, lived in Kyoto - both places famous for ceramics. She grew up surrounded by ceramics and was immersed in nature playing with plants, trees, insects and animals.
Daniel graduated from the Harrow Studio Ceramics course in 1991, then had a shared workspace space at Kate Malone’s Balls Pond studios in London before returning to work as a technician and studio manager on the Harrow ceramics course. In 1997, he moved to West Wales to set up a studio on a smallholding where he has continued to develop his work and firings for the past 23 years. Daniel exhibits widely across the UK, Europe and internationally.
The Peak District Pennine landscape and seasons are the backdrop to everything Timothy does. He makes pottery on the border between function and sculpture: in essence vases, bowls, bottles and cups, though these are really just what he calls 'serving suggestions'. His work is multiple-fired, often starting with the wood kiln and ending with lustres.
"In my work I explore ideas around the half-forgotten memories and images that persist from childhood – perhaps a vintage wallpaper, the stylised narrative of my Mother’s Willow Pattern plates, or the familiar shape of an opened sardine tin. My aim is to bring these elements together in a finished piece to combine a gentle nostalgia with the absolute, archival permanence of the ceramic medium."
Duncan’s fascination with clay began as a child in his parents’ garden. The colour, smell and malleability of the earth led him to discover at school the transformation of clay by heat into a permanent object. As a teenager, Duncan was captivated by seeing his teacher throwing a pot on a kick-wheel, his bedroom posters were images of communist revolutionary heroes and 20th-century studio pottery.
