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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Duncan Ross

Duncan Ross makes thrown and burnished vessels using many layers of fine terra-sigillata slip with resist and inlay decoration. His work is represented in many public and private collections around the world, notably the V & A and Fitzwilliam Museums in the UK, the American Museum of Ceramic Art in Pomona, California and the Mint Museum in Charlotte, North Carolina, US.

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Peter Black

In his youth Peter collected (mainly damaged) Chinese Kangxi and 18th Century European porcelain, regularly visiting Portobello and Bermondsey Market at 6am.  His making came later, but is influenced by the pieces he bought, studied, and has loved over the years. These pots have of course been themselves influenced by earlier ceramic, silver, and pewter forms. 

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Sue Paraskeva

Sue’s multidisciplinary conceptual practice comprises stand-alone pieces, installation, film and tableware, collectively defined by a distinct language.  Current work is rooted in traditional techniques, thrown forms made on the wheel, firing in real flame kilns and using natural wood ash deposits and the reduction flame to add unpredictable embellishment.

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Carolyn Tripp

Inspired by a Chinese bottle gifted to her as a child, each piece Carolyn makes assumes its own identity with the application of transferred decoration. Collected imagery and text tell stories from lives past and present centring around the human condition and covering themes both significant and trivial.

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Sarah Dunstan

"In my work I explore ideas around the half-forgotten memories and images that persist from childhood – perhaps a vintage wallpaper, the stylised narrative of my Mother’s Willow Pattern plates, or the familiar shape of an opened sardine tin. My aim is to bring these elements together in a finished piece to combine a gentle nostalgia with the absolute, archival permanence of the ceramic medium."

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Paul Philp

Paul Philp has been making ceramics for over fifty years. Uniting refined classic forms with highly tactile surfaces to create pieces of strong individual identity Paul builds each piece by hand.

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