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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Laura Plant

Making in her hometown of Stoke-on-Trent, Laura draws from the creative heritage and ambition of the pioneering potters who made the city famous. Her contemporary forms echo the grandeur of 18th century ceramics, she has long admired. Thrown in porcelain, each piece is a unique ‘sketch’ in clay, carefully turned and refined to reveal the precise form.

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Jane Cairns

Jane’s work is about finding beauty in the ordinary. It’s about the small things and recognising the accidental poetry in the unnoticed and overlooked.  Living in the city, this is often found in apparently insignificant details of the built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of found forms.

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Daniel Smith

Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.

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Rose Wallace

Recalling traditional Staffordshire mantelpiece ornaments crafted from casts of discarded domestic ephemera, Creamware, press-moulded, individually animated elements bonded at leather hard stage. Traditional Staffordshire glazes.

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Kate Windibank

Kate creates sculptural vessels which explore the transformational nature of time on human experience. Her practice involves a continuous investigation of structure and surface, with particular emphasis on ceramic materials, fragmentation and transfiguration. Kate’s making process consists of the tearing, breaking and joining of clay to create organic forms with undulating edges, fault lines and fissures.

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Hilary Mayo

Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.

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