Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Sean's love of slipware first began whilst attending the studio pottery course at Harrow College of Art in the late 1980s. Now 30 years and three workshops later he is still making slipware. Since 2007, after moving from London, Sean has been working in an old converted stone barn in Southern Brittany, France.
Born and brought up in Norwich, Richard has been making pots since the early 1970s. After studying for two years at Great Yarmouth College of Art, he worked from 1974 to 1980 at Le Dieu Pottery in Norwich before spending 3 years in Australia and New Zealand, and a further five in Germany.
He is inspired by Hungarian and Romanian slipware from the 1800s and by English country pottery. Recently his work has explored colour and abstract patterns in strong forms that capture the ebb and flow of the sea and the landscape of South West Dorset.
Juliet Macleod makes wheel-thrown porcelain that imparts an evocative exploration of the Scottish coast. Using a distillation of drawings and photographs made over many years, she creates contemplative pieces which hope to engage the viewer and spark their own memories.
Lisa Hammond MBE is a soda firing potter who works at Maze Hill Pottery, Greenwich, London. She has been making pots for best part of 40 years in which time she has taught extensively and pioneered soda glaze and shino firings.
The Peak District Pennine landscape and seasons are the backdrop to everything Timothy does. He makes pottery on the border between function and sculpture: in essence vases, bowls, bottles and cups, though these are really just what he calls 'serving suggestions'. His work is multiple-fired, often starting with the wood kiln and ending with lustres.
Many years ago, Harriet was inspired by an article by Dick Lehmann about carbon trap glazes. She has been exploring this intriguing glaze ever since. She believes that all the potters who work with carbon trap seek different qualities and achieve quite distinctive effects even though they may use the same recipe and fire to the same temperature in the same kind of kiln. The glaze is unusually responsive to the atmosphere in the kiln and even to the weather as it dries before firing.
