Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Tarragon gained a BA Fine Art in 2003 from Nova Scotia College of Art and Design University, and an MA Fine Art in 2007 from Central Saint Martins.
He admires the historically nomadic nature of ceramic ware. This tendency of pottery to move from one place to another, carrying with it commodities, aesthetics, and ideas, converges with his use of water as a decorative motif.
Sharon gained a BA (Hons) 3D Design (Ceramics) in 1997 and an MA Ceramics in 2003 from the University of Wolverhampton. With over 15 years of teaching experience within further and higher education, Sharon has a solid background in fine art practice and a strong foundation as a figurative sculptor.
Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.
Jill Fanshawe Kato’s enduring fascination with the natural world stems from her upbringing in the Devonshire countryside and her subsequent travels. Besides many shows in the UK, Jill has had 46 exhibitions of her ceramics in Japan including 11 solo shows at Keio Department Store Gallery, Shinjuku, Tokyo.
In his youth Peter collected (mainly damaged) Chinese Kangxi and 18th Century European porcelain, regularly visiting Portobello and Bermondsey Market at 6am. His making came later, but is influenced by the pieces he bought, studied, and has loved over the years. These pots have of course been themselves influenced by earlier ceramic, silver, and pewter forms.
From an early age Penny enjoyed playing with clay at home as her mother had a small pottery studio. However, it was not until she lived in Japan in her twenties that she became more seriously interested in making pots.
