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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Russell has always been a maker. He studied art through college before enrolling - almost on a whim - on a Foundation Degree in Ceramics. Alongside his creative path, he has had a varied working life: he is a qualified carpenter and has worked as a firefighter, stonemason, picture framer, florist and pizza chef, with a number of smaller jobs in between. For the past ten years he has worked as a full-time potter, leaving the retained fire service around four years ago.
Ella is drawn to clay’s unique ability to preserve the act of making, and to how both conscious and unconscious moments of touch become held within the surface of the ceramic object. Her work demonstrates a strong relationship between surface and form, informed by a BA in Painting and Printmaking and an MA in Ceramics. Ella references historic ceramic artefacts, social and painting theory, exploring ideas around the mark of the maker, temporality, trace and place.
Loretta began her practice in ceramics via a career in graphic arts, textile design and sculpture. During pregnancy, she found working on sculptural forms too heavy and moved across to ceramics. That was the start of her fascination with the medium as it allows her the freedom to explore her enduring passions of form, colour, texture and mark-making.
Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.
Born and brought up in Norwich, Richard has been making pots since the early 1970s. After studying for two years at Great Yarmouth College of Art, he worked from 1974 to 1980 at Le Dieu Pottery in Norwich before spending 3 years in Australia and New Zealand, and a further five in Germany. He is inspired by Hungarian and Romanian slipware from the 1800s and by English country pottery. Recently his work has explored colour and abstract patterns in strong forms that capture the ebb and flow of the sea and the landscape of South West Dorset.
