Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.
After completing an MA in Ceramics from the RCA in 1988, Paul moved to Italy and worked for Gucci on their home and perfume products, then into the world of leather goods and accessories. That seemed a natural progression from clay with his love of form, sculpture and respect for craftsmanship. This led to a 30-year career in Fashion accessories, moving to New York in the early 90s, becoming design director for Calvin Klein, Cole Haan, and COACH amongst others.
Martin Pearce creates abstract sculptural pieces inspired by natural forms. His work often portrays a state of flux, with the quality of moving water or cloud forms, while other pieces appear as if they could be in quiet contemplation.
Sharon gained a BA (Hons) 3D Design (Ceramics) in 1997 and an MA Ceramics in 2003 from the University of Wolverhampton. With over 15 years of teaching experience within further and higher education, Sharon has a solid background in fine art practice and a strong foundation as a figurative sculptor.
Kay Aplin graduated in 1995 from Chelsea College of Art, specialising in ceramics and glass. Since then, Kay has had a successful career as an architectural ceramist, producing a distinct range of site-specific commissions for the public realm around the UK and internationally.
Daniel obtained a BA (Ceramics) from Royal Melbourne Information Technology University (co-presented with Hong Kong Art School) in 2007.
Daniel creates carefully sculpted porcelain vessels. The start of Daniel’s creative process begins with throwing. He is fascinated by the patterns and ongoing variations that emerge during this stage. The unique traces left on the forms evoke for him a sense of a path paved with the sedimentation of memory.
