Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jitka Palmer

Jitka was born in Prague. She studied medicine and worked as an anatomist. In 1985, she moved to Britain and studied ceramics at Croydon College of Art and Design and Stone Masonry at City of Bath College. She set up her studio in London with the help of a Crafts Council grant. She lives and works in Bristol.

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Sue Hanna

Sue originally trained as a sculptor at Saint Martin’s School of Art in London gaining a degree in Fine Art (Sculpture). First working in wood and metal, she discovered clay in the late nineties.

A chance encounter with a South African potter led to Sue’s fascination with burnished and smoked African and South American pots. Then in 1997, she attended a transformative course in Greece run by ceramic artist Alan Bain. There she began hand-building pots, working with terra sigillata slips, acquiring burnishing skills, and being introduced to pit firing.

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Nigel Lambert
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Priscilla Mouritzen

Priscilla was born in Cape Town, South Africa and attended the School of Art in Durban before setting up her own ceramic studio in England in 1968. She spent a decade in England before moving to Denmark where she has lived and worked since.

Priscilla makes porcelain pinch pots with graphic surface etchings revealed in underglaze. Her monochrome pots are often wood-fired.

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Sue Paraskeva

Sue’s multidisciplinary conceptual practice comprises stand-alone pieces, installation, film and tableware, collectively defined by a distinct language.  Current work is rooted in traditional techniques, thrown forms made on the wheel, firing in real flame kilns and using natural wood ash deposits and the reduction flame to add unpredictable embellishment.

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Bev Bell-Hughes

When Bev was at art school in the late sixties, her final thesis focused on the relationship between natural forms and clay. However, it was only since 1978 when she moved to Wales, that she developed her work to relate directly to where she lives.

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