Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jane trained at Camberwell College of Art and at the Royal College of Art and has won several awards for her work including the Wedgwood Scholarship for surface design.
Working across a range of making methods; throwing, jolleying, casting and hand-building, pieces are designed to stand alone or as part of a set. Colour plays a central role in Jane’s work and she is greatly inspired by patterns found in nature and landscape, notably in France the Caribbean and the Isle of Wight.
Hyejeong Kim’s work is rooted in the history of Chinese, Korean and Japanese ceramics yet influenced by modern ceramics of the United Kingdom.
Inspired by her grandmother’s Willow Pattern collection, Rhian Malin continues the long historic tradition of hand-painting porcelain with cobalt-blue decoration. Her elegant wheel-thrown porcelain vessels are the chosen surface, created to stretch this tradition into the 21st Century.
Her work captures her imaginary life and real life, which overlap. She used to pretend to live as a ‘normal’ person in society but wildness took over the thin veneer and it consumed her. Once she started making sculpture, all those layers of pretention fell away. She was finally one whole person.
Jennifer graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio.
Angela has been working in bone china since 1991 using traditional slip casting techniques: designing her own models, making plaster moulds, and finally slipcasting translucent pieces. Conventional forms, vessels, bowls and plates retain both their functional identity but also serve as a natural canvas for decoration. Her work develops in series mostly inspired by nature; depending on the decoration each series has its own identity.
