Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Lisa Katzenstein
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Tanya Gomez

Tanya Gomez is a celebrated ceramist renown for her porcelain vessels in her signature lustrous colours.

With an MA in Ceramics from the Royal College of Art, Tanya’s process is practice led. Developed from traditional methods and disciplines Tanya has honed her skills over the last 15 years and uses dynamic throwing, cutting and assembling techniques to create large cylindrical shapes. Impactful both individually and as a group, her vessels create expressive, vivid landscapes and fluid, architectural forms.

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Moyra Stewart

Moyra Stewart has worked in clay for more than forty years after graduating from Edinburgh College of Art in 1979. Her work has been exhibited across the UK, in Canada and Japan, and in 2015 she was awarded Craft & Design Maker of the Year prize.

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Doug Fitch

Doug works in red earthenware clay, the pots simply decorated, with appliqué decoration or sgraffito, using a basic palette of traditional slips that are made from natural raw materials. The majority of his pots are thrown on the wheel with some press moulded dishes, decorated with freely trailed lines.

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Ian Morrison

Ian’s work is a contemporary interpretation of country pottery. His salt glazed domestic ware focuses on line, surface and balance. He likes to emphasise tactility and evidence of the maker’s hand, highlighting the subtle marks and fingerprints from handling and attachments. This, combined with clean lines make his work approachable and usable, while giving the work extra durability that comes from the firing process.   

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Adam Buick

Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.

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