Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
As a rebellious schoolgirl, Tina always knew that she would go to art college as she absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay and she found it challenging. Nevertheless, she was drawn to it because it was the only material which was so malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.
Carol works from her home studio in rural Angus, with views out to the foothills of the Cairngorm mountains that offer daily inspiration. She is a ceramics graduate of Grays School of Art in Aberdeen and has been running her ceramics studio since 1991. For 15 years she ran her hand made tile studio and gallery in Edinburgh, gradually developing her practice to become an exhibiting artist.
Suzanne began working with clay while accompanying her husband during their years living in the Middle East in the 1960s and 70s. She came to make clay her home ground and something she could take with her wherever she lived.
She discovered Oribe ware – Japanese tea ceramics associated with the Kaiseki meal and tea ceremony – whose glazes and playful geometric decoration greatly influenced her aesthetic. She ultimately decided to import English porcelain clay so she would have continuity wherever she worked and for the same reasons travelled with a small electric kiln.
Emma’s ceramics practice is built on notions of what is known as Emotionally Durable design. She uses the making language of ceramics and a design sensibility to make work which is contemporary and relevant over time.
Anna is known for her finely wheel-thrown porcelain vases and bowls and her meticulous attention to detail. Having trained at Camberwell School of Art and the Royal College of Art, she spent time teaching in the US before returning to London. She established her ceramics workshop almost 30 years ago, which is now based in South London at her home in Sydenham.
Growing up in communist Poland, Ania’s everyday life was underpinned and surrounded by stark, grey concrete structures – brutal, imposing, and unavoidable. This architecture was raw, substantial and woven into the history and fabric of the country and her upbringing.
