Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Kyra Cane grew up in the small Nottinghamshire town of Southwell in the East Midlands and attended Camberwell College of Art and Craft in the early 1980’s to study Ceramics. Kyra now works from her studio based on the Welbeck Estate, Nottingham.
Ian’s work is a contemporary interpretation of country pottery. His salt glazed domestic ware focuses on line, surface and balance. He likes to emphasise tactility and evidence of the maker’s hand, highlighting the subtle marks and fingerprints from handling and attachments. This, combined with clean lines make his work approachable and usable, while giving the work extra durability that comes from the firing process.
Sue originally trained as a sculptor at Saint Martin’s School of Art in London gaining a degree in Fine Art (Sculpture). First working in wood and metal, she discovered clay in the late nineties.
A chance encounter with a South African potter led to Sue’s fascination with burnished and smoked African and South American pots. Then in 1997, she attended a transformative course in Greece run by ceramic artist Alan Bain. There she began hand-building pots, working with terra sigillata slips, acquiring burnishing skills, and being introduced to pit firing.
Daniel obtained a BA (Ceramics) from Royal Melbourne Information Technology University (co-presented with Hong Kong Art School) in 2007.
Daniel creates carefully sculpted porcelain vessels. The start of Daniel’s creative process begins with throwing. He is fascinated by the patterns and ongoing variations that emerge during this stage. The unique traces left on the forms evoke for him a sense of a path paved with the sedimentation of memory.
Sasha Wardell has been working in bone china since 1982. Her formal training in ceramics included both undergraduate and postgraduate degrees and industrial training secondments to L’Ecole Nationale des Arts Decoratifs, Limoges, France, and the Royal Doulton design studio, Stoke on Trent, UK.
An industrial approach to the traditional bone china manufacturing process has strongly influenced the way in which Sasha presently works, reflecting her fascination for methods and materials which present a challenge. It is for this reason that bone china, with all its idiosyncrasies, has remained her favourite material.
Jane trained at Camberwell College of Art and at the Royal College of Art and has won several awards for her work including the Wedgwood Scholarship for surface design.
Working across a range of making methods; throwing, jolleying, casting and hand-building, pieces are designed to stand alone or as part of a set. Colour plays a central role in Jane’s work and she is greatly inspired by patterns found in nature and landscape, notably in France the Caribbean and the Isle of Wight.
