Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Josefina is a Colombian born ceramicist living and working in London. She gained a BFA in crafts from The University of the Arts, Philadelphia, under the guidance of world-renowned potter, James Makins.
Graham’s interest in ceramics began at York School of Art in the 1960s and continued at Cardiff College of Art, graduating from there in 1971. He later worked at both colleges as a ceramics technician and having retired in 2009, Graham established a workshop in Gloucestershire.
Claudia trained as a painter but transferred to pots because she found the turning surface sympathetic to an unfolding visual narrative. Stories are her raw material - both her own and other people's, also fictional stories, songs, and poetry. The human, cultural, and historic associations of pottery connect particularly well to the work she does interpreting women’s histories and contemporary lives. The nature of pots is that they can break, and so can be mended. This she finds to be a compelling metaphor for both trauma and survival - the mending has an optimistic quality.
Kate studied 3D Design at the University of Brighton. After graduating, she participated in an international ceramic residency in Japan where she worked alongside established Japanese, Korean, and American artists. On her return, Kate set up her ceramic studio in London where she worked for nearly ten years. She now works from her garden studio in Kent making raku and stoneware pieces.
Penny Fowler is a London based potter whose work reflects 21st century living in the capital. Using porcelain and bone china clays, her work is characterised by clean, precise lines and forms using a strong palette.
Inspired by a Chinese bottle gifted to her as a child, each piece Carolyn makes assumes its own identity with the application of transferred decoration. Collected imagery and text tell stories from lives past and present centring around the human condition and covering themes both significant and trivial.
