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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jemma Gowland

Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.  

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Dan Kelly

Dan Kelly trained at Camberwell School of Arts and Crafts where Colin Pearson was an initial influence, encouraging him to develop his throwing technique. His stoneware pots are defined by the way he manipulates them - cutting and reshaping by hand.

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Akiko Hirai

Akiko Hirai produces both practical and decorative ceramic ware that is held in private collections and museums worldwide. Her Japanese background and aesthetics strongly influence her ceramic work while her pieces are also perfectly rooted in contemporary designs.

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Sarah Walton

Sarah has been a potter for 45 years and also makes work in oak, lead and cast iron. She trained in painting at Chelsea School of Art between 1960-64 after which, she spent five years working as a nurse. This period was followed by studying at Harrow where she graduated in 1973 with a Diploma in Studio Pottery. Sarah undertook apprenticeships with David Leach and Zelda Mowat.

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Katharina Klug

Katharina was experimenting with clay as soon as she could reach the pedals on her mother's wheel. Since setting up her business in Cambridge in 2016, Katharina's work has received many accolades, including receiving the Silver Award (Ceramics) in the Craft&Design Selected Maker Awards.

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Tricia Thom

Tricia graduated from Gray’s School of Art, Aberdeen in 1985 and after a post graduate year, she worked for a production pottery in the Highlands for three years.  While there, she became a principal hand-decorator of pots and developed some surface designs for the range, but also received a grounding knowledge of the ceramics industry and practices. 

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