Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Graham’s interest in ceramics began at York School of Art in the 1960s and continued at Cardiff College of Art, graduating from there in 1971.He later worked at both colleges as a ceramics technician and having retired from Cardiff (now Cardiff Metropolitan University) in 2009, Graham established a workshop in Gloucestershire.
Carolyn Genders creates bold, asymmetric sculptural vessels and forms in white earthenware with surfaces painted with abstracted imagery. With a 40 year career in pottery, two books on ceramic practices published by A&C Black, and work held in collections across the world Carolyn is a prominent UK maker.
Since 2000 Owen Thorpe has been producing ‘families’ of pots using recurring themes and he has been making bowls and plates with inscriptions. All his work is made using a soft stoneware, high fired with occasional further enamel firings.
Verity is a ceramic artist creating works that explore mystery, trigger memories, generate atmosphere and evoke a sense of place. She makes distinct bodies of work, taking inspiration from the landscape, history, and culture surrounding her in rural Herefordshire. Using clay as a medium for drawing and monoprinting, Verity creates sculptural, slab-built, ceramic forms. It is important to Verity that the form and surface of her work create a harmonious composition and are integral to her subject matter.
Helen Beard is a potter and illustrator and a people watcher at heart. She studied at the Edinburgh College of Art. After graduating, Helen was an apprentice with Edmund de Waal in London. She set up her own studio in 2004 in the London borough of Islington where she makes, draws, designs and sometimes teaches.
Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.
