Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.
In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.
While still at school Sotis displayed a talent for art and developed a keen interest in three-dimensional art in particular. He later enrolled in a four-year degree course at the Athens School of Ceramics. After his degree he came to the UK
Micki makes wood-fired salt-glazed tableware, fired to a high stoneware temperature. Travelling in India in 1968, Micki came across their ubiquitous everyday earthenware pots. She loved the connection between the earth and the pots and was introduced to throwing on a Leach wheel by Gurcharan Singh of Delhi Blue Potteries.
Emily mostly works with a red stoneware clay that fires to a rich dark brown, with iron speckles showing through the glaze. She occasionally works with porcelain as the white body is ground for wonderful bright glazes. Most of the glazes contain barium and copper, a combination which give rise to interesting matt green glazes in an electric kiln.
Anna Lambert, a nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.
Suzanne began working with clay while accompanying her husband during their years living in the Middle East in the 1960s and 70s. She came to make clay her home ground and something she could take with her wherever she lived.
She discovered Oribe ware – Japanese tea ceramics associated with the Kaiseki meal and tea ceremony – whose glazes and playful geometric decoration greatly influenced her aesthetic. She ultimately decided to import English porcelain clay so she would have continuity wherever she worked and for the same reasons travelled with a small electric kiln.
