Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Graham’s interest in ceramics began at York School of Art in the 1960s and continued at Cardiff College of Art, graduating from there in 1971. He later worked at both colleges as a ceramics technician and having retired in 2009, Graham established a workshop in Gloucestershire.
Alistair studied ceramics at Bath Academy of Art and set up his first pottery studio in Gloucestershire in 1978, producing thrown reduction fired stoneware for a range of companies. While continuing with his own making he later took on the running of the studio ceramics department at The Royal Forest of Dean College and instigating a series of potters conferences.
Ikuko Iwamoto is a London-based Japanese artist who uses porcelain to create eccentric table-top pieces and sculpture. Her fundamental inspiration comes from intricate and fragile looking structures, and odd forms found in the microscopic world.
Ian was born in Birmingham - a city famous in its past for guns, cars, motorbikes and jewellery: a city of makers. He studied ceramics at the Central School of Art, London. His teachers included Gordon Baldwin and Dan Arbeid who encouraged skills and making of all types, from hand-building to industrial techniques as possible means of artistic expression. Ian’s own teaching and exhibiting in the UK, Europe and the Far East has provided opportunities to produce work as a response to different places and cultures.
Carolyn Genders creates bold, asymmetric sculptural vessels and forms in white earthenware with surfaces painted with abstracted imagery. With a 40 year career in pottery, two books on ceramic practices published by A&C Black, and work held in collections across the world Carolyn is a prominent UK maker.
Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.
