Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Moyra Stewart has worked in clay for more than forty years after graduating from Edinburgh College of Art in 1979. Her work has been exhibited across the UK, in Canada and Japan, and in 2015 she was awarded Craft & Design Maker of the Year prize.
Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.
Based in North Yorkshire, Emily graduated with a BA(Hons) in Ceramics from University of Wales, Cardiff in 2007. She went on to co-found PICA Studios - an artist led studio collective of 23 artists, makers, writers, and thinkers set within an 18th century printworks in the centre of historic York.
As a child, Jon loved drawing and messing about with mud. He and his brother and friends spent many joyful years roaming and exploring on the waste ground of empty housing plots. The exposed seams of soft yellow clay they discovered was perfect for making ‘weapons’ - squashed balls of clay on the ends of sticks. Although childhood has long passed, the activity has informed and inspired his approach to ceramic practice and his educational/community engagement work.
Phil throws and hand-builds in various stoneware clays, making bowls, vases and sculptural forms. However, his main output is concentrated on small-scale porcelain and white stoneware bowls and bottles. They are exclusively hand thrown.
David read philosophy and literature at Warwick University. Realising the lack of jobs as a philosopher, he became a potter and taught part-time in the ceramics department at Wolverhampton University for thirty years. This allowed him the space in which to continue with his personal practice. He was awarded a PhD from Manchester Metropolitan University in 2016. David used the inquiry within his thesis to examine the question of how he could employ the language of materiality, making, and firing (particularly raku) to critically focus on issues of personal identity.
